![]() ![]() ![]() We might get a commission if you buy gear through a link on this page. Try now with a 20% discount by using this link.Midi Nation is supported by our great readers. If you want to know more about mixing then you should try “The Official Guide To Mixing”, our step by step 24 part video course on how to achieve a professional sound for your music. If you keep in mind that speed is an important part of your inspiration and creative process, then whichever DAW gets you to your desired result the quickest possible way is the best for you. The best way to choose your DAW is: try demo versions of all of them and choose which one suits your tastes. I’m afraid you will have to do your own research to see whether that’s good for the music you want to make. ![]() We’re told it has quite good synth sounds and a good built-in sampler. It’s used a lot for beat making and composing electronic music. We can’t speak directly about it because we don’t use it, but we see lots of our clients using it quite successfully. FL StudioįL Studio is apparently great for Hip Hop and beat making. In our view Logic has a similar flavour to Cubase… but it’s just not quite as good. However we feel that its editing capabilities are not the best, and up until version 10 it had a few issues with exporting multi-track files. It’s great for beat and music making and can be used for mixing effectively. It’s one of the most popular programs, and we have used it quite a lot in the past. In other words it’s great, but not for everything. It also doesn’t have very good MIDI implementation either. In our experience it doesn’t handle large numbers of plugins without dedicated hardware. Pro Tools however is not the ideal choice for music creation. The Avid interfaces are expensive but they certainly deliver great sound quality and efficiency. It’s a great choice for large recordings (live bands, orchestras and large number of inputs in general). Pro Tools has always been a great choice for professional studios and it can definitely handle editing very well. Version 9 also has a great sampler track where you can drag and drop pieces of audio and rearrange them using a keyboard. It’s not afraid of CPU intensive plugins and it manages to keep low latency better than most programs we’ve tried so far. It’s great for composition because it can handle plugins and soft synths really well. We use its export and import features frequently, which are really reliable and fast. Steinberg Cubase is our favourite because of its flexibility and reliability. In fact, you can use modules to obtain certain effects and combine them extensively to customise your mix flow. With Ableton Live you can also create quite complex mixing structures and intricate side-chain compression architectures. That’s very practical if you are hunting for loops and trying to build your groove within your arrangement. With Ableton Live you can play loops along with your session, quickly scroll through them and play them back in sync with the rest of the session. Ableton LiveĪbleton Live is great for House music / Dance music and it’s very flexible for live applications. The type of music that you want to make and your personality will dictate what DAW is best for you. The difference between one program and another is mostly about ergonomics. What is the best DAW? You have to think that DAW is just a “host” and what really matters is your audio. ![]()
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